{"title":"Contemporary Art","description":"","products":[{"product_id":"gavin-turk-artists-piss","title":"Gavin Turk - Piscio d’Artista (Artist's Piss)","description":"\u003cp\u003e\u003cstrong\u003eGavin Turk - Piscio d’Artista (Artist's Piss)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUrine in Aluminium Can\u003c\/p\u003e\n\u003cp\u003eSigned and Editioned number of 350\u003c\/p\u003e\n\u003cp\u003e11.5cm x 6.5cm x 6.5cm\u003c\/p\u003e\n\u003cp\u003e2021\u003c\/p\u003e","brand":"Secondary Market","offers":[{"title":"Default Title","offer_id":43176624357627,"sku":"","price":375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/8551\/files\/IMG_1119.jpg?v=1769164388"},{"product_id":"tracey-emin-no-surrender","title":"Tracey Emin - No Surrender","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracey Emin - No Surrender\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 75, 2019\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFour Colour lithographic print on Somerset Velvert Warm White 400gsm. Produced by Counter Studios, Margate.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e86 x 69 cm (33.9 x 27.2 in)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSigned, numbered, and dated by the artist\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'No Surrender' is the first print made by Tracey Emin at the new Counter Studios in her hometown of Margate, Kent. The lithograph is closely linked to her recent paintings. Emin articulates the joy and suffering that is intrinsic to human existence, from the often fraught territory of sexual relationships, to the physical trauma of abortion, and the recent passing of her mother. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Secondary Market","offers":[{"title":"Default Title","offer_id":44689146118395,"sku":"","price":13500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/8551\/files\/IMG_9763_3.jpg?v=1768056004"},{"product_id":"tracey-emin-gq-30th-anniversary-napkin-framed-in-white","title":"Tracey Emin - GQ 30th Anniversary Napkin (Framed in White)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracey Emin - GQ 30th Anniversary Napkin (Framed in White)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 2000, 2018\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis Napkin is one of 2000 produced for the 30th Anniversary party of GQ magazine. It reads \"\u003cem data-mce-fragment=\"1\"\u003eThe year of the woman Happy birthday GQ Love Tracey Emin 2018\"\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eWe have a handful of napkins from the event available, which we're selling framed in UV protective, non-reflective glass.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFramed size: 31.5 x 31.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Secondary Market","offers":[{"title":"Default Title","offer_id":44958815846651,"sku":null,"price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/8551\/files\/TraceyEmin-GQAwardsNapkinFramedinWhite.jpg?v=1738773147"},{"product_id":"gabrielle-garland-anything-worth-having-hurts-a-little","title":"Gabrielle Garland - Anything Worth Having Hurts A Little","description":"\u003cp\u003e\u003cstrong\u003eGabrielle Garland - Anything Worth Having Hurts A Little\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArchival pigment print, published in 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003e61 x 61cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLimited Edition of 170\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSigned and numbered by the artist, with a uniquely numbered door corresponding to the print number\u003cbr\u003e\u003cbr\u003eGarland’s enticing homes – alive with pastel hues and skewed perspectives – are inspired by photographs taken around her New York neighbourhood. \u003ci data-mce-fragment=\"1\"\u003eAnything worth having hurts a little\u003c\/i\u003e borrows its title from a line in \u003ci data-mce-fragment=\"1\"\u003eThe Neon Demon\u003c\/i\u003e (2016). References to film, TV and music in Garland’s titles hint at the limitless stories hovering just beyond the edge of her canvases. With no figures present, narrative possibilities are endless. A newspaper waits on the doorstep, but for who? 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Working in the realms of painting and digital art, Sun Woo explores the impact of technological dependency on modern day culture. The artist dives deep into the collective psyche formed by the commodified devices that shape our worldview and ultimately transform our reality.\u003cbr\u003eIn her recent work, Sun Woo turns her focus to the subject of digitized memory. In today’s society our memories are archived by digital gadgets, suggested by social media and curated by the almighty algorithm. This virtual process of remembering brings into question our governance over our own recollection.\u003cbr\u003eFor her collaboration with Case Studyo, Sun Woo presents ‘Memory Box’, a physical object that disrupts the mechanisms of digital memory storage. The edition is a living embodiment of personal remembrance, a container that is the antithesis of a digital device, carefully cast in high quality resin, embellished with surgical steel and synthetic hair.. The artist uses flesh as a raw material and treats skin as a symbolic place that carries the traces of our encounters with the surrounding world. 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